Collings CW preowned 2008
Price: $--SOLD
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near mint condition
This near mint preowned dreadnought powerhouse is our latest Collings acoustic offering. This guitar is a great choice for bluegrass players or for anyone who is looking to squeeze out as much power as one can from a dreadnaught. An Adirondack spruce top with mahogany back and sides is a marriage that Collings has perfected.
Named after the well-loved Walnut Valley Festival in Winfield, Kansas, the Collings Winfield is a highly modified version of Collings' standard dreadnought that features options commonly requested by flatpicking specialists. The combination of the stiff Adirondack spruce top with enlarged soundhole, supported by a top bracing pattern based on the earliest 14-fret dreadnoughts, make the CW a bluegrass powerhouse. Everything about this model is designed to provide plenty of headroom and projection for aggressive playing, but not at the expense of good tone.
CRAIG'S POVThis near mint preowned dreadnought powerhouse is our latest Collings acoustic offering. To me, this guitar is a great choice for bluegrass players or for anyone who is looking to squeeze out as much power as one can from a dreadnaught. An Adirondack spruce top with mahogany back and sides is one of my all time favorite wood combinations, a marriage that Collings has perfected. If you're looking for a great playing and sounding acoustic with all the tweaks that many bluegrass players prefer, look no further. This Collings CW might just be the guitar for you.
If you'd like to find out more about this item, just call or e-mail me. It would be my pleasure to talk to you about it.
ABOUT COLLINGS GUITARS
Bill Collings moved from Ohio to Texas in the mid 1970’s. Spurred by a lack of interest in medical school, this move enabled him to combine lifelong interests in both guitars and tools into the challenge of stringed instrument building and repair. After a couple of years in Houston, several guitars and a few banjos later, he headed west to southern California. Making it only as far as Austin, where he shared shops with fellow luthiers Tom Ellis and Mike Stevens. From there, he set up his own small shop in a wooden "one car" garage. His reputation for outstanding quality and meticulous attention to detail quickly spread. In 1989, he rented a 1000 square foot space and hired two helpers. Fast forward to present day where Collings craftsmanship is respected by professional and amateur musicians alike…anyone on the quest for quality. Some of these include artists; Keith Richards, Lyle Lovett, Pete Townshend, Emmylou Harris, Andy Summers, David Crosby, Chris Hillman, Joni Mitchell, Don Felder, John Sebastian, Lou Reed, John Fogerty, Tim O'Brien, Pete Huttlinger, Kenny Smith, Brian May, Joan Baez, John Prine, Nigel Tufnel of Spinal Tap, and Steven Spielberg to name a few. You owe it to yourself to try one.
Serial # | 13989 |
Top | select Adirondack spruce |
Back & sides | mahogany |
Soundhole | large style with black/white wood nitrate rosette |
Binding | tortoise-style top/back/neck |
Purfling | black/white wood with 1-style walnut backstrip |
Braces | pre-war scalloped Adirondack w/no tongue brace |
Pickguard | dalmatian-style celluloid |
Neck | mahogany |
Scale length | 25 1/2" |
Truss rod | fully adjustable |
Fingerboard | ebony |
Fingerboard radius | 14"-26" compound |
Neck joint | mortise and tenon hybrid |
Neck shape | modified V profile with 2 1/4" string spacing |
Frets | 21, neck joins the body at the 14th fret |
Fretwire | medium 18% nickel-silver |
Nut | bone, 1 23/32" |
Headstock | square with volute, 15 degree angle |
Peghead overlay | ebony with inlaid Collings logo |
Bridge | ebony belly-style with cutthrough saddle |
Bridge pins and end pin | ebony |
Tuners | nickel Waverly with 16:1 ratio |
Finish | high gloss nitrocellulose lacquer |
Case | Collings deluxe hardshell |